Tuesday, March 10, 2009

Grand Canyon flyover

I don't know how many times I have flown to the West Coast, but never before today did the pilot invite the passengers to look out the window at the Grand Canyon.

This photo was snapped right through the window of the damn plane.

It was sublime. It made today's flight to LAX the best flight I have ever taken anywhere in my life.

Los Angeles doesn't suck either.

Monday, March 9, 2009

Portraits of Leyla Fern

It's too early to be sure, but my daughter Leyla Fern seems destined to be one of those people who inspires others.

Here she is posed with a portrait of herself, commissioned by her auntie, Mary Magdalene Mensah, of Lashibi, Ghana (funky, suburban Accra). It's not everyone who has been painted by a West African portrait artist - rendered in traditional kente cloth - before exiting kindergarten. (Click on the thumbnail for a better view.)

Leyla also is the subject of a lullaby composed by the great jazz pianist Tom McDermott. A St. Louis native long since repatriated to New Orleans (with more ties in Brazil, now, than Missouri), Tom composed the piece to celebrate the baby's birth. It will appear on his next release.

I have also been writing songs about Leyla for as long as she has been alive. I have done nothing to approach the deep, overpowering love of a father - so far, I've only tossed off throwaway songs intended to temporarily amuse the girl, nothing I would take the trouble to record.

However, this weekend I was sorting through my cassette archive looking for something else and I came upon a songwriting tape that dates from Leyla's infancy. To try to get her to quiet down and let me work on my new songs, I played her the two things I had written for her. The cassette deck was rolling, so the songs were recorded.

Free mp3s

"My baby is a rocker"
Chris King

"She's my best friend"
Chris King

Sunday, March 8, 2009

POTUS #8: Martin Van Buren

This is "President Martin Van Buren" by Bad TV, more or less a one-man band composed of David Gendelman, though the liner notes on the cassette he handed me read "all instruments Snowpast Midnight".

I guess if you are going to give yourself a one-man band name, you might as well give yourself a different name as the one instrumentalist in the band.

While you're at it, give a studio name to your livingroom, basement or bedroom, wherever Gendelman recorded himself, known here as "Small Wonder Studios".

He recorded himself (apparently, without a nom de plume as producer) in August 2003, which at least dates when I was first talking up The Skuntry Guide to Dead Presidents, a moribund project of portrait songs that was revived as POTUS after the election of Barack Obama.

Martin Van Ruin, as his enemies knew him, was the first U.S. president not born a British subject, or even of British ancestry (his family was Dutch). He was a small man, known as the "Small Magician," and the son of a tavernkeeper introduced to politics via the hurly burly of his father's public house.

I am uploading this song because I just stumbled upon the cassette recording of it at a time when I actally know where to find the cords that enable me to digitize my cassettes onto my laptop as mp3s.

But it turns out to be timely. The "Panic of 1837" (Van Buren's first year in The White House) was followed by the worst depression yet faced by the young nation. Number 44 surely can relate to the trials of Number 8.

Now I'll let Bad TV tell you in a song.

Free mp3

"President Martin Van Buren"
(David Gendelman)
Bad TV

What little I pretend to know about Van Buren I just cribbed from the handsome, informative site at The Miller Center of Public Affairs at The University of Virginia.

The portrait of Van Buren is from Evil Space Robot.

Saturday, March 7, 2009

Bootblogging #13: Solo Career live in Santa Monica


This is a cool thing and I hope fans of challenging skronky guitar rock find this and go forth and multiply with these free mps of Solo Career live.

We have here Solo Career recorded at Alligator Lounge (in Santa Monica) on February 3, 1997 onto good old cassette (ye olde condensor microphones).
The band that time:

Joe Baiza, guitar
Richard Derrick, bass
Mario Lalli, guitar
Bob Lee, drums

This gig was part of Nels Cline's "New Music Mondays" series, reports Richard Derrick. Richard has released the Solo Career record Season Finale featuring a different guitar line that includes Nels Cline, better known in the indie rock scene thanks to his joining Wilco.

Free mp3s
1) Squonky Jam 6.06
2) High Time 6.00
3) Burst Of E 6.12
4) Whole Tone 12-Bar Blues 5.38
5) Lonely Woman 7.32

Music courtesy of the band and it belongs to them; borrow with care.

Artwork, "Oh Restless Night," poached from the blog of Colin Michael Shaw.

Friday, March 6, 2009

A confederacy of avatars


This is the artifact of an interlude.

We were in the recording studio, doing our thing. It got to be Beer:30, the time to enjoy an adult beverage and not twiddle knobs.

We went around the corner from the studio to a basement nightclub. Young's Double Chocolate Stout was on tap. It was like drinking brownies.

A new friend had a gig working a private party held in the club's public space. We were all happy to see each other, Three Fried Men and the new friend, so I can't vouch verbatim for the substance of her gig.

Seems difficult to figure this now, but I think she said it was a party for people too busy to manage their own social networking sites. I gather at this party these busy social networkers had the pleasure of meeting their web2.0 avatars.

I take it to have been a gathering of busy people and the people who blog, MySpace, FaceBook and Twitter on their behalf and in their names.

In the deep joy of relaxing with old creative partners and a new friend, I thought about the fictional richness of the new media generation.

What a peculiar premise for a novel or a movie, a party between busy (and, one suspects, monied) people and the people who play them on YouTube.

These were the badges Three Fried Men wore at the party.

We either do not social network online, or - as I do - we do it for ourselves. Call it DIY2.0.

Three Fried Men are not named Jake, not Michael, nor Tim Powers.

Thursday, March 5, 2009

Chief Joe Mokwa, the hot seat sketches





We have here the former top cop for the St. Louis Metropolitan Police Department, Joe Mokwa, fidgeting in the hot seat, under direct questioning yesterday by Chet Pleban in a police board trial.

I reported on the trial on deadline for The St. Louis American and posted my story up here as well, and I plan to follow the case of Police Officer Scott Tillis until he receives justice.

His trial was delayed and then rushed into action on a mayoral election day, and then Mokwa's attorney fought like the devil to keep the former police chief from testifying under oath.

We have Pleban's guts and stubbornness to thank for this rare glimpse into what a formerly all-powerful police official will say under oath about matters that are currently under investigation by three federal agencies.

The police board trial is being held in a room at the Police Academy, where the rawest recruits report for duty. They were swarming the place yesterday when Mokwa came in to testify. "Did somebody die?" Pleban asked, bemused, as he came into the hearing room, having passed (as we all did) more scared-stiff cop recruits than one could count.

Just imagine the off-mic tales whispered to these recruits about the Mokwa years.

Word on the street, which does reach us at The St. Louis American, is that it was always a pretty wild ride. I could never gather any evidence to support the allegations, and it is best not to rush allegations about the police chief into print without factual backup, but they were the same allegations - over and over again, from black men of a certain age.

The stories fit an ancient pattern of police work: the squeamish interplay between the good guys and the bad guys; how vice players and vice coppers rub off on each other; how they come to work together, in so many ways.

I still can't prove any of it. Maybe it isn't true.

Yesterday under oath Mokwa denied to ever doing anything wrong regarding suspiciously towed vehicles or disciplinary action against an officer (Scott Tillis) who looked a little too closely into the operations of S&H Towing. S&H is the police board's towing vendor of choice, run by a former City cop (Greg Shepard).

Mokwa testified to having known Shepard for twenty years, to calling him every week, to sometimes calling him personally about a towed vehicle (unusual, to be sure, for the department's chief executive) and to meeting at the tow yard every other month, sometimes with other white shirts, "for coffee".

Maybe that is all true. Maybe a top cop can be that close to a tow yard operator that renews its contract with the police department repeatedly without any competitive bidder - without breaking the law or abusing the public trust.

The circumstantial evidence tends to impress anyone who hears even a portion of it - and there is tremendous mass of it. But circumstantial evidence is not what is needed to bust up an organized criminal relationship - especially if it's one that includes, centrally, the former police chief, who was close with the current mayor, who is running for reelection as the trial of Scott Tillis is getting underway.

Mokwa says he did nothing wrong and isn't even under federal investigation. He even said "gossip" reports to him that he won't be invetsigated by the feds.

Maybe "gossip" is true. But which gossip?

Wednesday, March 4, 2009

Mokwa compelled to testify in whistleblower cop trial

Chet Pleban interviewed former Police Chief Joe Mokwa on the record yesterday in the police board trial of Police Officer Scott Tillis, an African American, who has been suspended without pay for 11 months. Tillis says he was disciplined after he began to investigate citizen complaints against S&H Towing.
Photo by Wiley Price

*

From tomorrow's St. Louis American newspaper.

‘He rocked the boat on S&H Towing’
Mokwa compelled to testify in whistleblower cop trial

By Chris King
Of the St. Louis American

Mayor Francis G. Slay had plans to vote for himself Tuesday at 9 a.m. Meanwhile, Downtown, just across the street from where he works, a trial was getting underway.

The trial is part of the internal grievance process of the St. Louis Metropolitan Police Department. As police commissioner – the only elected St. Louis police commissioner – Slay shares ultimate authority over this grievance process and the fate of Police Officer Scott Tillis, an African American, who has been suspended without pay for 11 months.

The timing of a police board trial as starting at the precise time the mayor plans to vote for himself sounds political – especially when the guts of the trial promises to give at least a partial airing of the S&H Towing scandal involving the department governed by the police board that has included the mayor as its only elected member for the past eight years.

The police chief whose tenure lines up closely with Slay’s years in the Mayor’s Office is Joe Mokwa. Mokwa resigned last July after the Post-Dispatch investigative team of Joe Mahr and Jeremy Kohler began to break their first big eye-opening stories involving Mokwa’s daughter’s use of vehicles towed by S&H Towing.

A bigger shocker than a scandalous police board trial opening at the same time the police commissioner/mayor has said he will vote for himself: on day two of the trial, which is day one of Slay’s next reelection campaign, the now retired (and, some would say, disgraced) Mokwa takes the stand in a small meeting room at the Police Academy.

Actually, he took a chair – a chair off to itself in the middle of the room. An unused microphone stand, with no microphone, stood beside it, the glint of the metal adding an executioner’s touch.

Why was a retired police chief of a department reported to be under investigation by the IRS, FBI and U.S. Attorney for towing operations conducted under his watch back in the police academy, testifying at a board trial in the grievance process of a plebian police officer?

Because Tillis’ attorney, Chet Pleban, subpoenaed Mokwa and fought to have his subpoena honored.

Why did Pleban want Mokwa on the hot seat?

Like any savvy litigator, he surely wanted to get Mokwa to spill on what he knew about S&H Towing and when he knew it.

And an accusation against Mokwa is at the crux of his defense.

Valentine’s Day dates

The dates in the Tillis case are eloquent.

February 14, 2008: Six vehicles are towed from addresses all near one another on North 10th Street. Officer Tillis lives in a neighboring apartment and hears from his neighbors about what seemed to be a suspicious, wholesale towing operation.

February 16, 2008: Tillis drops by S&H Towing, which towed his six neighbors’ vehicles, to investigate his neighbors’ claims. Tillis says that Greg Shepard of S&H Towing told him that he was "with Joe (Mokwa)" and would cause trouble for Tillis in the police department if Tillis insisted on looking into his business.

February 17, 2008: A minor incident reported (but unsigned) against Tillis on January 9 suddenly resurfaces, and by April Tillis is suspended without pay.

By the end of July, Mokwa has resigned amid the S&H Towing scandal.

Shepard, a former cop, has a long history with Mokwa in the department. He was one of the detectives working under Mokwa when Mokwa was chief of the detectives. Mokwa testified he had known Shepard "for 20 years."

Mokwa testified that he knew Shepard had once worked in Asset Forfeiture, which has direct relation to tow operations.

When Shepard left police work to join S&H Towing – Mokwa testified that Shepard managed day-to-day operations at the tow yard – he and Mokwa maintained friendly relations.

Yesterday Mokwa testified to calling Shepard at S&H Towing on average once a week and visiting him "a half-dozen times a year" – sometimes, with members of his senior command – "for coffee."

Mokwa also testified that as chief of police he did call Shepard regularly at the tow yard about vehicles that had been towed – but, he said, only when he was (as police chief) personally investigating a complaint about an improperly towed vehicle.

Mokwa denied ever working for S&H Towing or accepting payment from the company. He denied having anything to do with the disciplinary action and suspension without pay for Tillis, other than to approve it.

In fact, he testified that he first heard that Tillis’ grievance had ties to the towing scandal recently. His source, he testified, was "gossip."

Mokwa’s attorney tried repeatedly to keep questions about S&H Towing off the record as having no bearing on Tillis’ grievance. The hearing official permitted the questions as part of Tillis’ defense.

"I intend to tie this witness to S&H Towing," Pleban said of Mokwa.

"And I intend to tie Mr. Tillis to S&H Towing. And I posit that the charges against my client were a pretense to getting rid of this officer. A pretense because he rocked the boat regarding S&H Towing."

Then Mokwa’s attorney objected to questions about Mokwa’s severance package – more than $100,000 and paid legal fees for cases involving his tenure in the police department.

"His financial interest in this police department potentially color his testimony," Pleban argued.

Mokwa also denied playing any role in S&H renewing its contract with the police department. He said in his years as chief no one had ever competed against S&H Towing for the contract.

The police chief’s daughter


When Pleban asked if anyone in his family had ever benefited from the contract with S&H Towing, he said, "I don’t think so."

And then Mokwa said he did not know a long string of things.

He said he didn’t know if he had discussed with his daughter whether she bought cars from S&H Towing.

He said he did not know whether the police board had investigated his relationship with S&H Towing, only that he had asked them and "presumed they did."

Even when Pleban reminded Mokwa that Police Commission Chris Goodson had held a press conference about the investigation, Mokwa said he knew nothing about what Goodson announced.

When asked how Mokwa first discovered that his daughter had bought cars from S&H Towing, he said he didn’t know.

He said at one time he saw her with an automobile and "presumed she had purchased it from S&H."

When asked why he presumed this, Mokwa said, I don’t recollect how I knew that. I jumped to that conclusion."

"How?" Pleban asked.

Mokwa said, "I don’t know."

The timing of Tillis long-delayed board trial also comes just as Gov. Jay Nixon was making his decision to replace Chris Goodson on the police board – with Bettye Battle-Turner, an African-American lawyer and municipal judge with a reputation for scrupulous honesty and uncorruptability.
The American’s coverage of the Scott Tillis case will continue next week.

Tuesday, March 3, 2009

Snoop and the Minister


My friend Rosalind Guy just filed her shots from the Savior's Day events over the weekend in Chicago. We will probably run a selection of her shots in The St. Louis American this week (though they might get held for space).

This one sort of has to be seen to be believed. Double-click on the image to enlarge it, and you will see the slim man to the left in the front row is Snoop Dogg, watching Minister Farrakhan attentively.

Snoop is N.o.I. now, according to the BBC.

*

Photo by Rosalind Guy

Monday, March 2, 2009

Bootblogging #12: The May Day Orchestra

I have been carrying on about The May Day Orchestra. With no disrespect to the other musicians, this could be described as "Tim Rakel's new project," though he certainly couldn't do it without the other players and it doesn't seem to be his only new musical endeavor.

I think anyone who has been through the breakup of a long-standing band, like Bad Folk was, knows the almost obscene freedom one feels in trying on new collaborations, rather like sexual flings - lets have fun tonight and not hold it against one another in the morning.

One of the other players in The May Day Orchestra described the project to me in roughly those terms. "It's nothing I am putting all of myself into or anything," Brien Seyle said to me, or at least he said something like that - he was drinking whiskey and I was drinking beer and he had that goony gig energy that afflicts us all after a performance.

The performance was at City Art Supply on Cherokee Street, a remarkably apt venue for a focussed acoustic performance. I was blown away by the set, and had been saying as much to Brien in extravagant terms. His rejoinder was an attempt to distance himself from the extravagance of my praise, not insult his collaboraters.

Here is something like what I had been saying to Brien:

"I remember when I first heard those King Missile records on Shimmy Disc. This sexy half-Chinese girl gave them to me on a mixed tape. I was blown away! I imagined all of these talented multi-instrumentalists trading instruments throughout a set, even throughout a song; I had extended fantasies of this as a sort of idealized way to be in a band.

"Then," I continued, "we played New York, CBGB, and John S. Hall was there because I had invited him to be there. He said he loved our band, Enormous Richard, and he wanted us on King Missile's West Coast tour. And in fact, we did do a bunch of dates with them [deleting old inside baseball on getting gig-blocked by a fiendish rival band that stole half the tour from us].

"We meet them in Columbus for the first show," I went on and on - "and it's nothing like I had imagined! The Shimmy Disc records had all been studio experiments, with John and Dogbowl and Kramer. That band never existed as a band. Now Hall was touring with an art speed metal band backing him up. Really nice guys, but I hated it. It was so disappointing. But, when I saw your band tonight, with you guys trading instruments throughout the set, even throughout a song, I was like, 'That is it! That's the way to do it!'"

"It's nothing I am putting all of myself into or anything," Brien said, or something like that - and then he began to rap King Missile lyrics from memory at the speed of speed art metal.

Free mp3

"Cause for alarm /
Center of the storm /
The strike & Haymarket /
The trial
"
(Tim Rakel)
The Mayday Orchestra

This medley is part 1 of two parts, intended for sides one and two of a vinyl e.p., I am told. Tim approved of the posting of part one - you'll have to buy the record to hear the rest of the story! Bad sketch of Tim Rakel performing at City Art Supply by me.

Also in this series

Bootblogging #1: Three by The Lettuce Heads
Bootblogging #2: Three elegies for local musicians
Bootblogging #3: Michael Shannon Friedman
Bootblogging #4: Three more by The Lettuce Heads
Bootblogging #5: Chuck Reinhart's guitar circle hits
Bootblogging #6: The silly side of The Lettuce Heads
Bootblogging #7: Songs for "Divorcing God"
Bootblogging #8: More songs for "Divorcing God"
Bootblogging #9: Adam Long presents The Imps!
Bootblogging #10: More Michael Shannon Friedman
Bootblogging #11: The Adversary Workers

Sunday, March 1, 2009

"Was I born not to give up?" asks Leyla Fern





The little voice came from the back seat, interrupting the silence.

"Was I born not to give up?"

The person behind the small voice suddenly posing this essential question was five years old, my daughter, Leyla Fern.

The mother and I eyed one another, in quiet awe. Who doesn't want their child to wonder if she was born "not to give up"?

"That's why I never give up on kickball," Leyla continued, giving some clue to what she might have been thinking that led to this remarkable question.

Her mother didn't hear the girl properly; she thought she had said "people". "Never give up on people?" her mother repeated back.

"People?" Leyla asked, as if suddenly deeply offended. "How would I give up on people?"

I have thinking, all day, about these two questions she asked.

"Was I born not to give up?"

"How would I give up on people?"

Saturday, February 28, 2009

I added a note to the public record on Joe Baiza


Like most of us these days, I know a little bit about a lot of things. This makes me fit in pretty well with the Wikipedia era, in which the critical community - construed as broadly as the bandwidth will allow - is free to range throughout the universal library, making marginal notes and revising the historical record on the spot.

I can't explain, then, why I never contributed to a Wikiepedia entry until today. But I know why I did today.

I was looking for information on Joe Baiza. The name rang a bell, as one of those suburban Los Angeles punk pioneers, but I couldn't make any sense out of that ring. Asking The Oracle, I came across a Wikipedia stub on the man.

And I thought, well, hell, as little as I know, I know something this stub doesn't know and it's worth telling the people about it.

Here was what the stub said:

Joe Baiza is a punk rock and jazz guitarist whom Eugene Chadbourne cites as one of the most noteworthy guitarists to emerge from the Southern California punk rock milieu. Baiza is a founding member of the bands Saccharine Trust, Universal
Congress Of
, and The Mecolodiacs. He also performed guest guitar spots on several Minutemen tracks and played alongside Black Flag's Greg Ginn and Chuck Dukowski in the SST all-star jam band October Faction, recording two albums with them. Baiza was also part of the musical side project Nastassya Filippovna which featured Bob Lee (drums), Devin Sarno (bass) and Mike Watt (bass). He substituted for Nels Cline during Mike Watt's European and American tours behind his second solo album, Contemplating the Engine Room, in 1997 and 1998. Currently, he is in the reunited Saccharine Trust as well as the improvisational unit Unknown Instructors with former Minutemen Mike Watt and George Hurley.
And here is what I knew and told the people, through the stub; it's the new penultimate sentence in the entry:

Also in 1997, he and Cline played (sometimes together) in the band Solo Career with Lee (drums), Richard Derrick (bass), Walter Zooi (trumpet) and Gustavo Aguilar (percussion); other guitarists in that rotating ensemble included Mario Lalli, Woody Aplanalp and Ken Rosser.
How do I know that? Because Richard Derrick has become a friend and collaborater of mine, though my persistence, love for the music, and thirst for archival musical sources to augment my own work.

I'll talk more about that soon - and post up some unreleased Solo Career with Joe Baiza and Nels Cline on dueling guitars, if they will let me. The one Solo Career record Richard has released on his Box-o-Plenty imprint has Nels Cline but not Joe Baiza; I am feeling, much more, the live set with them playing together with forever steady, inventive Richard Derrick. I hope to help get that music out into the world.

*

The picture of Joe Baiza with the late d. boon (Minutemen frontman; roommate of Richard Derrick) in 1980 is by Victor Sedillo and posted on a Mike Watt forum.